Yasmine Anlan Huang (b. Guangzhou, China) is an artist and writer migrating from cities to cities. Diving into the complexities of ingénue or shōjo archetype across diverse cultures, her works dedicate to uncover hidden power structures and decolonize storytelling. She orchestrates a polyphony that blends past and future, fiction and reality, sublime and absurdity, innocence and violence. With a fusion of personal cosmology, classic literature, historical archives, youth subcultures, and everyday objects, she crafts emotive worlds through moving images, texts, performances, and installations, all serving as surrogates for her hyper-vulnerability — she is also interested in how digital spaces swallow up and regurgitate life experiences. 

Huang’s works have been featured internationally, including Whitney Biennial 2024, Power Station of Art, Peckham24, HART Haus, Tabula Rasa Gallery, with solo or duo exhibitions at Floating Projects, Three Shadows Photography Art Centre, Seoul National University Woosuk Gallery and Goethe-Institut Hong Kong. She has been awarded residencies in Skowhegan School of Painting & Sculpture, Wassaic Project, Penland School of Craft, among others. Her writings and translations appeared in Heichi Magazine, p-articles, SAMPLE Mag, and many other platforms. Her debut book of poems and essays, Love of the Colonizer, has been published by Accent Sisters. 

Huang received her BA (Hons) in Creative Media from City University of Hong Kong, an MA in Literary and Cultural Studies from the University of Hong Kong, and an MFA from Parsons School of Design.

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https://www.yasminehuang.com/